Prismarium

Ignacio Hornillos Cárdenas and Javier Fernández Contreras with the collaboration of Cristina Medina and José María Rueda / Madrid

Pavilion in Plaza Escuelas Trevijano

Prismarium is a crystallography of prisms that organize the space of the square and establish an iconic relationship with the changing images of its perimeter, activated at every moment by the residents and visitors of the Concéntrico Festival.

When in 1929 René Magritte presented the work Ceci n’est pas une pipe, he was essentially expressing, in addition to the fascination for the seduction of the images, the intermediary role of art between the world and the observer. Aware that between reality and representation there can be interference, he declares this manifesto as obvious as it is provocative: images of things are not things, but images of them, so they do not need to respect all its rules.

In many ways, contemporary information is an image of Magritte. Based on the fact that it is constructed as a mixture of statism and change, of objectivity and subjectivity, Prismarium combines periscope and camera obscura projection mechanisms that mix Logroño images in real time with static information about the activities, tours and programmes of the Concéntrico Festival. A landscape of illusions is thus generated, a pavilion whose information is inhabited in its perimeter, from different articulated circles and points of view that transform the whole of the square. Each of the pavilion’s arms is oriented towards the enclaves proposed by the festival, while inside the pavilion what happens when it continues in its respective directions is explained. Exhibitions, routes and collective geographies of Logroño are mixed with games of mirrors, reflections and views of the square, thus creating an interactive element that is inserted into the city while allowing its collective appropriation.

Ignacio Hornillos - Javier Fernández

Ignacio Hornillos Cárdenas (Madrid, 1985). Architect in 2010 by ETSAM, in 2012 he graduated with the Master of Advanced Architectural Projects in the line of theory and criticism from the Polytechnic University of Madrid where he was a mentor professor in the Teaching Unit of José Manuel López-Peláez and in charge of editing the book “Espacio social, Mercado y Hábitat en Casablanca”. From 2012 to 2016 he lives in Chile where he was a professor at the Faculty of Design and an associate professor at the Faculty of Architecture of the Universidad del Desarrollo at its headquarters in Santiago de Chile. He is currently developing his doctoral thesis in the Projects Department of the ETSAM, entitled “La Metacrisis Armónica. Juan Borchers en Madrid, 1948-1954 / 1970-1971” under the direction of Jesús Bermejo and Federico Soriano.

Javier Fernández Contreras (1982) is an architect, professor and director of the Department of Interior Architecture at HEAD Genève, Switzerland. The Department explores the role of interior spaces in the construction of contemporary cities and societies, offering Bachelor and Master programs that promote speculation and direct action on contemporary design and space through regular collaborations with international companies and organizations. Contreras studied Architecture at the Delft University of Technology (TU Delft) and at the ETSAM, where he graduated – Architect, 2006; PhD, 2013, summa cum laude. In 2015 he was a finalist in the 10 arquia / tesis competition with his doctoral thesis The Miralles Plant: Thought and Representation in the Architecture of Enric Miralles.